This CWC session was set up like a conversation between the above three authors and a moderator. As an author of a book that couldn’t traditionally be called YA (it’s too long… sigh), I was surprised to learn as much as I did from this session. It’s enough to fill two whole blog posts, with even more on top of that. I hope you can make use of the advice of these lovely authors!
When choosing a structure for an upcoming project, consider the following:
- Character and Setting as Starting Points. Building any structure happens in layers. The first layer of a story is generally the character in your head, and the second is the setting you want them to be in. This is mostly foundational, however, and the final layer, structure, decides how the story will form from then on. Find a structure that fits in line with your character and setting – or you’ll end up with a story that’s mismatched and crooked, like a house with an unreliable contractor.
- Structure Pros and Cons. Think about what your structure can do for you – and what it can’t do. For example, Natalie’s book is written entirely in e-mails. This structure forced Natalie and her co-writer to reveal emotion and events second-hand and after the fact. In this way the story progresses naturally, but also takes work to unravel. You can therefore use structure to challenge and “corner” yourself, and thus add new effects to the project.
- The Number of Voices. Stories can often benefit from having additional points of view. If you are short on word count or depth, consider finding a structure that allows you to fit new voices into your project. You can even use structure to do this in a neat way. For example, a book in verse, like Stefanie’s, can allow for new voices to be written in new types of verse structure.
- “Why” Before “What.” Know what you are trying to get across with your chosen structure. If you already have a story, but are trying to fit it into a new structure, be willing to lose parts of the original story in order to make a better book. A good structure can change everything; let it.
- Character Breathing Room. Your chosen setting is going to affect the way you display your characters. Events should change your character, but structure shouldn’t – after all, it’s (usually) an external constraint added by you, not an internal constraint decided by the characters. Make sure your structure lets your characters breathe; it should fit like a glove, not a corset.
The next post, YA Structure Part Two, will go into some of the advice given on how to work with your structure once you have chosen it.
Session I Missed:
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